Crippled Symmetry takes its name from the work of the iconic Morton Feldman: a composer renowned for delicate quiet works cast over large time-frames.
The concert begins with Feldman’s famous work for solo percussion The King of Denmark.
The headline work, Crippled Symmetry, refers to the patterns of Ancient Middle-Eastern rugs, repetitious but imperfect and distorted.
Crippled Symmetry is performed by Lamorna Nightingale (flutes), Claire Edwardes (percussion) and Zubin Kanga (piano/celeste) with lighting design by Alex Sheather.