EVENING at THE FACTORY
8:00 Adrian Klumpes, prepared piano
Milica Stefanovic, electric bass
Simon Barker, drums & percussion
8:45 Dean Roberts, laptop & guitar
Ben Byrne, laptop
9:13 Jon Rose & Hollis Taylor, bird whistles
9:15 Natasha Anderson, recorder
Amanda Stewart, voice
Louise Curham, handpainted 16mm film projections
BREAK
10:00 FILM: STUDIES IN CHRONOVISION & OTHERS by Louise Hock
Live score by:
Robyn Hayward (Berlin), microtonal tuba
Cass McGlynn, tenor horn
Simon Ferenci, trumpet
10:30 Jon Rose, violin
Manon-Liu Winter (Vienna), piano
11:00 Carolyn Connors (Melb), voice & banjo
Jeff Henderson (NZ), banjo, saxophones & voice
Robin Fox (Melb) live processing
BREAK
11:30 the splinter orchestra (international edition) with:
Robbie Avenaim, Martin Ng, Paul Taylor, Tony Buck, Anthea Caddy, Robin Fox, Natasha Anderson, Anthony Pateras, Carolyn Connors, Daniel Whiting, Monika Brooks, Abel Cross, Jim Denley, Peter Farrar, Lloyd Honeybrook, Ian Petersie, Clare Cooper, Matt Ottignon, Gerard Crewdson, Clayton Thomas, Ben Byrne, Shannon O’Niel, Simon Ferenci, Finn Ryan, Michael Sheridan, Chris Abrahams, Karen Booth, Martin Brandlmayr, Cass McGlynn, Dale Gorfinkel, Rory Brown, Mike Majkowski, Milica Stefanovic, Dave Brown, Dean Roberts, Werner Dafeldecker, Robin Hayward, Mamon-liu Winter, Cor Fuhler, Jaime Fennelly, Anthony Magen, Adam Sussmann, Matt Earle, Ryko, Lawrence English, Jeff Henderson, Alex Masso, Rod Cooper, Joel Stern
Seeing Sound
The NOW now Film Program ’07 presented by Otherfilm
(Program 3) Friday 6:15pm to 8pm
Trans-forms (89 minute running time)
A program exploring the transformative effect that sound has on our perception of visual spaces.
Hapax Legomena: Pt. 01 – Nostalgia
Hollis Frampton, USA
Black and White, 36 minutes, 1971
The first of seven parts in a serial film, each isolating a fundamental aspect of the ontology of cinema. The title, Hapax Legomena, is from classical philology and refers to words whose sense is ambiguous because they occur only once in surviving texts : their meaning can only be determined from context.of systematic displacements between language (the narration which is spoken by Michael Snow) and image, between flatness and depth, between stillness and motion.
The Girl Chewing Gum
John Smith, UK
Black and White, 12 minutes, 1976
Representation and description turn into phantasm through the determining power of language.
Charlemagne 2: Piltzer
Pip Chodorov, France
Color, 22 minutes, 2002
“On December 9, 1998, Charlemagne asked me to bring friends to his piano concert at an opening at the Gerard Piltzer gallery in Paris, and to bring a movie camera.” (To create the finished film, and) “following a precise notation of the concert music, I chose the following principles: the 6945 notes played in the concert correspond to 6923 frames of super-8 film that were shot; speed of playing controls speed of frame succession; flicker between negative and positive, between opposites on color wheel (blue/yellow), between opposites in retinal cone sensitivities (red/green), left/right screen masking and mirror image printing, crossfading between negative and positive images; When more than two notes are played, the additional colors correspond to the complexity of sound frequencies. The final result is at once a diary film, a document of the concert, a structural flicker film, a hand-processed film, a graphic representation of music, and an attempt to apply cognitive principles in sensation and perception to film art.”
Spit-Optik
Roxlee, Philippines
B&W and Color, 14 min, 1988-1990
+
Mix 1 and 2
Roxlee, Philippines
B&W and Color, 5 min, 1988-1990
Visions of daily life in Manila are overlaid with translucent layers suggesting origin myths, sexual psychosis, post-colonial anxiety and more. These multiple experimental animations are matched with instant sound compositions featuring the filmmaker’s improvised songs. Naive, energetic and slightly deranged.
Live Soundtracks #3
Robyn Hayward (Berlin), microtonal tuba
Cass McGlynn, tenor horn
Simon Ferenci, trumpet
+
Studies in Chronovision
Louis Hock, Australia
Color, 7 minutes, 1975
+
Light Traps
Louis Hock, Australia
Color, 21 minutes, 1975
Slow moving radiating colours examining changes according to quality of light through time lapse.
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